Abbas Akhavan, Skira Miriam Schapiro (review), Modern Painters
Frieze Talks, Frieze NY Value Systems, Frieze NY
Stephen Shore (review), frieze 14th Lyon Biennial (review), Art in America 2017 Rodrigo Hernandez, Flash Art Il Mondo Magico, 58th Venice Biennale Estate as Process, Art Journal
Omer Fast (review), frieze Abbas Akhavan, Villa Stuck, Munich
Vikki Alexander (review), frieze aCCeSsions.org (Issue 4) 2016 Antonio Lopez (review), frieze
aCCeSsions.org (Issue 3) Art & ... , Triangle NY Regionalism vs. Provincialism, Momus
Laura Poitras (review), frieze 2015 Art Brut in America and Unorthodox (double review), frieze A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo Mother Tongue, 57th Venice Biennale Slip of the Tongue, Punta della dogana, Venice Parachute Magazine: 1975–2007, Fillip 20 2014 Property of a Lady, Witte de With Review Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta Everything Must Go, e-flux 2013 Visitor’s Talks, CCS Bard Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz 2012 Documents Magazine: 1992–2004, Fillip 17 Damnatio Memoriae, CCS Galleries, Bard College 2011
DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
Danh Vo (review), Fillip Up North (review), Fuse
Tyra Tingleff, Smile Now, Cry Later (2021), installation view at Sunday Painter, London. Photo: Ollie Hammick
This conversation appears in the book Tyra Tingleff: Of Course I’m Not Sorry (2021)by Mousse Publishing:
Tyra Tingleff, from her studio in Berlin, and Amy Zion, from her home in New York, spoke over Zoom in May 2021 about Tingleff’s practice, her process, and the wider concerns that haunt painting, specifically abstract painting, today.
Tyra Tingleff, Smile Now, Cry Later (2021), installation view at Sunday Painter, London. Photo: Ollie Hammick
Tyra Tingleff, I slept where you slept so I slept with you (2020). Formuesforvaltning Art Collection, Norway.