Amy Zion


Curating, writing, editing, ++ 
2021
    Hessel Collection Cat. Rais.   
    Petrit Halilaj, Tate St. Ives
    LUMA ABCD, Luma Arles   
    Tyra Tingleff, Mousse
    Closer to Life, Hessel Museum   
    Frieze Talks, Frieze NY
2020
    Conversation with Ulrike Müller, Springerin
    The Conference of the Animals, Queens Museum
   Closer to Life, CCS Bard
   Comic Relief
   Erin Jane Nelson (review), frieze
2019
   Ardhje Award (jury), Zeta Gallery, Tirana
   CHART Talks, CHART, Copenhagen
   Gwangu Biennale (review), artagenda
   Busan Biennale (review), artagenda
   Frieze Talks, Frieze NY
   Havana Biennale (review), frieze
   Albania is not Cuba, El Paquete Seminale, Havana
2018
    Edi Hila (review), frieze
    Documents Magazine, Prada Mode, Art Basel Miami

    Aslı Çavuşoğlu, New Museum

    Abbas Akhavan, Skira
    Miriam Schapiro (review), Modern Painters
    Frieze Talks, Frieze NY
   Value Systems, Frieze NY
   Stephen Shore (review), frieze
  14th Lyon Biennial (review), Art in America
2017
     Rodrigo Hernandez, Flash Art
     Il Mondo Magico, 58th Venice Biennale
    Estate as Process, Art Journal 
    Omer Fast (review), frieze
    Abbas Akhavan, Villa Stuck, Munich
    Vikki Alexander (review), frieze
    aCCeSsions.org (Issue 4)
2016
   Antonio Lopez (review), frieze
    aCCeSsions.org (Issue 3)
    Art & ... , Triangle NY
    Regionalism vs. Provincialism, Momus
    Laura Poitras (review), frieze
2015
   Art Brut in America and Unorthodox (double review), frieze
A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo
   Mother Tongue, 57th Venice Biennale
   Slip of the Tongue, Punta della dogana, Venice
  Parachute Magazine: 1975–2007, Fillip 20
2014
   Property of a Lady, Witte de With Review
   Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta
   Everything Must Go, e-flux
2013
   Visitor’s Talks, CCS Bard 
   Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel
   Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz
2012
    Documents Magazine: 1992–2004, Fillip 17
    Damnatio Memoriae, CCS Galleries, Bard College
2011
   DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
    Danh Vo (review), Fillip
   Up North (review), Fuse


az@amyzion.com
Mark


Tyra Tingleff: Of Course I’m Not Sorry, Mousse


Tyra Tingleff, Smile Now, Cry Later (2021), installation view at Sunday Painter, London. Photo: Ollie Hammick

This conversation appears in the book Tyra Tingleff: Of Course I’m Not Sorry (2021) by Mousse Publishing:

Tyra Tingleff, from her studio in Berlin, and Amy Zion, from her home in New York, spoke over Zoom in May 2021 about Tingleff’s practice, her process, and the wider concerns that haunt painting, specifically abstract painting, today.

The conversation is available in full here.

Tyra Tingleff, I slept where you slept so I slept with you (2020). Formuesforvaltning Art Collection, Norway.
Mark