Amy Zion


Curating, writing, editing, ++ 
2021
    Hessel Collection Cat. Rais.   
    Petrit Halilaj, Tate St. Ives
    LUMA ABCD, Luma Arles   
    Tyra Tingleff, Mousse
    Closer to Life, Hessel Museum   
    Frieze Talks, Frieze NY
2020
    Conversation with Ulrike Müller, Springerin
    The Conference of the Animals, Queens Museum
   Closer to Life, CCS Bard
   Comic Relief
   Erin Jane Nelson (review), frieze
2019
   Ardhje Award (jury), Zeta Gallery, Tirana
   CHART Talks, CHART, Copenhagen
   Gwangu Biennale (review), artagenda
   Busan Biennale (review), artagenda
   Frieze Talks, Frieze NY
   Havana Biennale (review), frieze
   Albania is not Cuba, El Paquete Seminale, Havana
2018
    Edi Hila (review), frieze
    Documents Magazine, Prada Mode, Art Basel Miami

    Aslı Çavuşoğlu, New Museum

    Abbas Akhavan, Skira
    Miriam Schapiro (review), Modern Painters
    Frieze Talks, Frieze NY
   Value Systems, Frieze NY
   Stephen Shore (review), frieze
  14th Lyon Biennial (review), Art in America
2017
     Rodrigo Hernandez, Flash Art
     Il Mondo Magico, 58th Venice Biennale
    Estate as Process, Art Journal 
    Omer Fast (review), frieze
    Abbas Akhavan, Villa Stuck, Munich
    Vikki Alexander (review), frieze
    aCCeSsions.org (Issue 4)
2016
   Antonio Lopez (review), frieze
    aCCeSsions.org (Issue 3)
    Art & ... , Triangle NY
    Regionalism vs. Provincialism, Momus
    Laura Poitras (review), frieze
2015
   Art Brut in America and Unorthodox (double review), frieze
A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo
   Mother Tongue, 57th Venice Biennale
   Slip of the Tongue, Punta della dogana, Venice
  Parachute Magazine: 1975–2007, Fillip 20
2014
   Property of a Lady, Witte de With Review
   Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta
   Everything Must Go, e-flux
2013
   Visitor’s Talks, CCS Bard 
   Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel
   Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz
2012
    Documents Magazine: 1992–2004, Fillip 17
    Damnatio Memoriae, CCS Galleries, Bard College
2011
   DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
    Danh Vo (review), Fillip
   Up North (review), Fuse


az@amyzion.com
Mark


Hessel Collection: Catalogue Raisonné



Hessel Collection: Volumes I & II of the Marieluise Hessel Collection. Ed. Tom Eccles and Amy Zion. Published by CCS Bard 2021. Photo: Prudence Cuming, courtesy of Zak Group


This two-volume catalogue raisonné illustrates the works in the Marieluise Hessel Collection at the Center for Curatorial Studies (CCS) at Bard College. Volume I includes a forword by Richard Armstrong, a conversation with Hessel, a new essay by Liam Gillick. Volume II includes selections from the school’s Archives and Special Collections, with an introduction by Ann E. Butler. Both volumes include select object texts written by CCS alumni. The book was published to celebrate the 30th anniversary of the founding of the graduate program. I co-edited these volumes with Tom Eccles in consultation with Marcia Acita and Ann E. Butler and worked in collaboration with Zak Group.  







Mark