Abbas Akhavan, Skira Miriam Schapiro (review), Modern Painters
Frieze Talks, Frieze NY Value Systems, Frieze NY
Stephen Shore (review), frieze 14th Lyon Biennial (review), Art in America 2017 Rodrigo Hernandez, Flash Art Il Mondo Magico, 58th Venice Biennale Estate as Process, Art Journal
Omer Fast (review), frieze Abbas Akhavan, Villa Stuck, Munich
Vikki Alexander (review), frieze aCCeSsions.org (Issue 4) 2016 Antonio Lopez (review), frieze
aCCeSsions.org (Issue 3) Art & ... , Triangle NY Regionalism vs. Provincialism, Momus
Laura Poitras (review), frieze 2015 Art Brut in America and Unorthodox (double review), frieze A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo Mother Tongue, 57th Venice Biennale Slip of the Tongue, Punta della dogana, Venice Parachute Magazine: 1975–2007, Fillip 20 2014 Property of a Lady, Witte de With Review Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta Everything Must Go, e-flux 2013 Visitor’s Talks, CCS Bard Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz 2012 Documents Magazine: 1992–2004, Fillip 17 Damnatio Memoriae, CCS Galleries, Bard College 2011
DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
Danh Vo (review), Fillip Up North (review), Fuse
Petrit Halilaj: Very volcanic over this green feather
Petrit Halilaj: Very volcanic over this green feather. Ed. Anne Barlow, published by Tate. Design by Till Gathmann
This book was published to coincide with an eponymous exhibition by Petrit Halilaj at Tate St. Ives, curated by Anne Barlow. For the exhibition, Halilaj created a new installation based on drawings he made at age 13, while living in Kükes II, a refugee camp in Albania during the war in Kosovo. Reproductions of the original drawings were included in the exhibition The Conference of the Animals at Queens Museum in New York, an exhibition I curated in collaboration with artist Ulrike Müller. Barlow and Halilaj invited me and my colleague, Thomas Keenan, co-founder of the Human Rights Project at Bard College, to contribute a conversation about the drawings in the context of the war and a broader history of human rights and drawings by children to this publication.
