Amy Zion


Curating, writing, editing, ++ 
2021
    Hessel Collection Cat. Rais.   
    Petrit Halilaj, Tate St. Ives
    LUMA ABCD, Luma Arles   
    Tyra Tingleff, Mousse
    Closer to Life, Hessel Museum   
    Frieze Talks, Frieze NY
2020
    Conversation with Ulrike Müller, Springerin
    The Conference of the Animals, Queens Museum
   Closer to Life, CCS Bard
   Comic Relief
   Erin Jane Nelson (review), frieze
2019
   Ardhje Award (jury), Zeta Gallery, Tirana
   CHART Talks, CHART, Copenhagen
   Gwangu Biennale (review), artagenda
   Busan Biennale (review), artagenda
   Frieze Talks, Frieze NY
   Havana Biennale (review), frieze
   Albania is not Cuba, El Paquete Seminale, Havana
2018
    Edi Hila (review), frieze
    Documents Magazine, Prada Mode, Art Basel Miami

    Aslı Çavuşoğlu, New Museum

    Abbas Akhavan, Skira
    Miriam Schapiro (review), Modern Painters
    Frieze Talks, Frieze NY
   Value Systems, Frieze NY
   Stephen Shore (review), frieze
  14th Lyon Biennial (review), Art in America
2017
     Rodrigo Hernandez, Flash Art
     Il Mondo Magico, 58th Venice Biennale
    Estate as Process, Art Journal 
    Omer Fast (review), frieze
    Abbas Akhavan, Villa Stuck, Munich
    Vikki Alexander (review), frieze
    aCCeSsions.org (Issue 4)
2016
   Antonio Lopez (review), frieze
    aCCeSsions.org (Issue 3)
    Art & ... , Triangle NY
    Regionalism vs. Provincialism, Momus
    Laura Poitras (review), frieze
2015
   Art Brut in America and Unorthodox (double review), frieze
A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo
   Mother Tongue, 57th Venice Biennale
   Slip of the Tongue, Punta della dogana, Venice
  Parachute Magazine: 1975–2007, Fillip 20
2014
   Property of a Lady, Witte de With Review
   Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta
   Everything Must Go, e-flux
2013
   Visitor’s Talks, CCS Bard 
   Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel
   Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz
2012
    Documents Magazine: 1992–2004, Fillip 17
    Damnatio Memoriae, CCS Galleries, Bard College
2011
   DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
    Danh Vo (review), Fillip
   Up North (review), Fuse


az@amyzion.com
Mark


Petrit Halilaj: Very volcanic over this green feather



Petrit Halilaj: Very volcanic over this green feather. Ed. Anne Barlow, published by Tate. Design by Till Gathmann
 
This book was published to coincide with an eponymous exhibition by Petrit Halilaj at Tate St. Ives, curated by Anne Barlow. For the exhibition, Halilaj created a new installation based on drawings he made at age 13, while living in Kükes II, a refugee camp in Albania during the war in Kosovo. Reproductions of the original drawings were included in the exhibition The Conference of the Animals at Queens Museum in New York, an exhibition I curated in collaboration with artist Ulrike Müller. Barlow and Halilaj invited me and my colleague, Thomas Keenan, co-founder of the Human Rights Project at Bard College, to contribute a conversation about the drawings in the context of the war and a broader history of human rights and drawings by children to this publication. 



Mark