Abbas Akhavan, Skira Miriam Schapiro (review), Modern Painters
Frieze Talks, Frieze NY Value Systems, Frieze NY
Stephen Shore (review), frieze 14th Lyon Biennial (review), Art in America 2017 Rodrigo Hernandez, Flash Art Il Mondo Magico, 58th Venice Biennale Estate as Process, Art Journal
Omer Fast (review), frieze Abbas Akhavan, Villa Stuck, Munich
Vikki Alexander (review), frieze aCCeSsions.org (Issue 4) 2016 Antonio Lopez (review), frieze
aCCeSsions.org (Issue 3) Art & ... , Triangle NY Regionalism vs. Provincialism, Momus
Laura Poitras (review), frieze 2015 Art Brut in America and Unorthodox (double review), frieze A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo Mother Tongue, 57th Venice Biennale Slip of the Tongue, Punta della dogana, Venice Parachute Magazine: 1975–2007, Fillip 20 2014 Property of a Lady, Witte de With Review Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta Everything Must Go, e-flux 2013 Visitor’s Talks, CCS Bard Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz 2012 Documents Magazine: 1992–2004, Fillip 17 Damnatio Memoriae, CCS Galleries, Bard College 2011
DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
Danh Vo (review), Fillip Up North (review), Fuse
LUMA ABCD. Ed. Maja Hoffmann, Tom Eccles, Hans Ulrich Obrist, and Vassilis Oikonomopoulos, published by the Luma Foundation and distributed by Buchhandlung Walther und Franz Koenig. Design by NORM. Cover illustration by Frank Gehry.
This bilingual book was published to mark the opening of the Parc des Ateliers campus of Luma Arles in southern France. The volume includes new contributions from artists, writers, and scholars, including: Etel Adnan, Frédérique Aït-Touati, Manthia Diawara, Liam Gillick, Thomas Keenan, Catherine Malabou, Sohrab Mohebbi, Philippe Parreno, Paul B. Preciado, Ingrid Rowland, and more. Contributions range from scholarly texts to letters, poetry, recipes, and artworks. LUMA ABCD also includes excerpts from past conversations and documentation from exhibitions which took place as part of Luma Arles. The book is organized by terms and keywords, all of which appear in both French and English. As the project’s deputy editor, I worked in close consultation with editors: Maja Hoffmann, Tom Eccles, Hans Ulrich Obrist, and Vassilis Oikonomopoulos as well as NORM (Manuel Krebs), the project’s designer; and the contributors, translators, and copyeditors. From the publishers:
In keeping with a program that seeks out the intersections of the arts, human rights, and the environment, the polyphony of voices and images reflects both the local specificity of Arles and the larger global context in which it is situated.
