Abbas Akhavan, Skira Miriam Schapiro (review), Modern Painters
Frieze Talks, Frieze NY Value Systems, Frieze NY
Stephen Shore (review), frieze 14th Lyon Biennial (review), Art in America 2017 Rodrigo Hernandez, Flash Art Il Mondo Magico, 58th Venice Biennale Estate as Process, Art Journal
Omer Fast (review), frieze Abbas Akhavan, Villa Stuck, Munich
Vikki Alexander (review), frieze aCCeSsions.org (Issue 4) 2016 Antonio Lopez (review), frieze
aCCeSsions.org (Issue 3) Art & ... , Triangle NY Regionalism vs. Provincialism, Momus
Laura Poitras (review), frieze 2015 Art Brut in America and Unorthodox (double review), frieze A.U.T.O.E.N.U.C.L.E.A.T.I.O.N., Sismografo Mother Tongue, 57th Venice Biennale Slip of the Tongue, Punta della dogana, Venice Parachute Magazine: 1975–2007, Fillip 20 2014 Property of a Lady, Witte de With Review Danh Vo: Go Mo Ni Ma Da, Musée d’art moderne de la ville de Paris and Dilecta Everything Must Go, e-flux 2013 Visitor’s Talks, CCS Bard Tell it to my Heart—Collected by Julie Ault, Museum für gegenwartskunst, Basel Tell it to my Heart—Collected by Julie Ault (Vol. I), Hatje Cantz 2012 Documents Magazine: 1992–2004, Fillip 17 Damnatio Memoriae, CCS Galleries, Bard College 2011
DAAR, Centre d’Art Neuchatel and Nottingham Contemporary
Danh Vo (review), Fillip Up North (review), Fuse
I’m a contemporary art curator, writer, and editor living in Paris, France. This site features a selection of my professional work from 2011-21.
In addition to these projects, from 2016–21, I was faculty at the Center for Curatorial Studies, Bard College, New York where I taught courses in curatorial practice and writing, and oversaw the written component of the masters thesis. From 2007–15, I was an associate editor of Fillip, a quarterly publication for long format art criticism that was published in Vancouver, Canada.
Since 2022, I work at Luma Arles on a new initiative that will be announced soon. I am open to commissions and collaborations on a strictly limited basis.
